Conversations: Wild World Jam
Nia Rose and Malcolm Xavier the driving force behind Wild World Jam—a series of distinctive nightlife experiences in Washington D.C. discuss collaboration, misconceptions, and future aspirations.
Words by Foli Creppy | 8 Minute Read
WILD WORLD JAM
For those unfamiliar with our work, could you briefly explain what you've built to date and our future aspirations for Wild World Jam?
Malcolm: My name is Malcolm Xavier, I represent Wild World Jam which is a series of distinctive nightlife experiences in Washington, D.C. Our goal is to offer a unique atmosphere at each event we throw, carefully curating a tailored experience that differentiates itself from our other previous events we’ve thrown. Our focus is on refining this curatorial approach to cultivate dynamic, citywide events where attendees can consistently encounter entirely new and engaging experiences.
Rose: My name is Nia Rose, and building upon the insights shared by Malcolm, I'd like to elaborate on Wild World Jams. The concept behind Wild World Jams is encapsulated in its name. Our vision is to cultivate a global yet vibrant and unforgettable atmosphere—a dedicated space and environment where creatives can not only enjoy themselves but also connect with like-minded individuals for networking. Ultimately, we aim to establish a platform for the community and the culture, enabling individuals to leverage their brands and businesses for broader outreach, potentially expanding their networks both nationally and internationally. Our long-term goal is to elevate this platform by recognizing and honoring prominent figures within the industry who have significantly impacted and left their mark on the culture. We actively pursue this by not only hosting our events but also by opening our space to collaborate with other DJs, creatives, promoters, brands, sponsors, and emerging talents. Our commitment is to maintain an accessible environment for the community, ensuring individuals have the opportunity to enjoy themselves while strategically utilizing our platform for advancement.
If I understand correctly, the goal is to combine nightlife with community building, essentially blending nightlife and the themes of a networking event. Is this primarily targeted towards individuals within the music industry, or is it also open to those outside of it? Additionally, will the initial focus be on the DC or East Coast area, or is it open to anyone from any location looking to network and socialize within DC?
Rose: The latter. The majority of our guests have significantly impacted their local communities within the DC area or other East Coast states they originate from. For instance, we recently hosted a prominent DJ from the city of Philadelphia. Ultimately, we welcome individuals from diverse backgrounds to enjoy our events and foster networking opportunities.
What is the most common misconception you both receive on a personal and business level that you would like to address?
Malcolm: That's a good question…Having been somewhat removed from the immediate scene recently, I lack direct insight into current perceptions of me by others. Therefore, I wouldn't be in a position to offer an accurate response. I am investing so much energy into my own well-being and ensuring my stability on a daily basis that worrying about external perceptions would be counterproductive to that goal.
I like that. Rose, do you have anything to add?
Rose: Absolutely. Regarding my experience with Malcolm and DJ Money of Wild World Jams, a key takeaway is Malcolm consistently reminds me of a crucial principle: prioritize your purpose and focus on your own endeavors. Never not worry about the opinions of others. Opinions are ubiquitous; everyone has them. However, fixating on what others think can be detrimental to business growth and personal progress. I deeply appreciate working with someone who reinforces this perspective daily, helping me maintain clarity and avoid excessive concern about external perceptions. As a woman working primarily with men, particularly in a region where I wasn't originally from – having relocated from New York to the DMV area – there can be a sense of needing to prove oneself. Fortunately, working alongside Malcolm has been instrumental in remembering that external opinions ultimately do not dictate our path. History reminds us that the lasting impact of figures like Malcolm X and Martin Luther King Jr. stems from their actions and achievements, not the opinions of their detractors. This collaborative environment has been a privilege and has lessened my previous preoccupation with others' opinions. Currently, my primary focus is on personal well-being and maintaining a clear mindset.
ADVERTISEMENT
WILD WORLD JAM
The focus should be on the work itself, allowing its quality to speak for itself and letting others form their own opinions.
Rose: It's a powerful approach to let your work speak for itself. This allows the focus to shift from personal things like gender or race to the tangible results and quality of the work itself. As I reflect on this question, had it been asked this two or three years prior, my response would likely have been more extensive. As a Black woman in America, navigating spaces often required proving my capabilities. However, at this stage, I am fortunate to collaborate with individuals who value and trust my vision, fostering creative freedom and a sense of acceptance.
That was a great answer, thank you Rose. How did you and Malcolm meet?
Rose: Malcolm, do you remember?
Malcolm: I do not (Laughter)
Rose: Well…Reflecting on my creative journey in New York and the DMV. At that time, I was navigating various ventures of my own, just trying to find my niche in DC. I remember one particular creative in the DMV whose impact was significant, from both his own endeavors and those of his family who also had a very notable presence in the city of D.C. During that period, I collaborated with other creatives who were close to Malcolm and Malcolm and I eventually crossed paths and collaborated as well. In numerous instances where others might have dismissed my contributions, he consistently provided me with more opportunities. This support naturally translated into our joint business venture. We prioritize working with individuals who trust my vision and the value I bring to the table. Having shared similar circles and creative connections, we've now reached a point where we can collaborate to establish a foundation, not only for ourselves but also for emerging creatives who may be seeking guidance in this space.
Rose mentioned that your family left a significant impact on the city of DC. Can you elaborate on that statement, Malcolm? Were they in the music industry as well?
Malcolm: My family has a notable history within the sports and entertainment industries, spanning several years. My closest connection was with my father, a writer and author who published four books and contributed to television in the 1990s and early 2000s. Beyond his creative work, he also fostered community by establishing a school, where he guided many students toward college. My cousin, Charles C., made significant contributions to the music industry, working closely with Hidden Beach Records and playing a role in the rise of numerous artists in the neo-soul, R&B, and jazz genre. He also founded his own jazz festival in North Carolina, which ran for several years.
His brother, Fred, another cousin, was, I believe, instrumental in the effort to bring the NBA All-Star Game to Washington, D.C. This remains our city's sole hosting of NBA-related events to date. It’s important to note that beyond these three individuals, numerous other family members have also made impactful contributions to this field. My deep connections within this industry stem from these familial ties, though I haven't named everyone. I maintained close relationships with my father and my cousins, learning a great deal from them over the years. My father passed away in 2021, and I feel a sense of carrying on their legacy. While the scale of impact of something like the NBA All-Star Game is immense, observing and understanding how one builds the necessary community and support to convince an entire association that a city is a suitable host is insightful. It highlights the dedication and effort required to achieve such a significant event, which, in our case, was a unique occurrence until the Major League Baseball All-Star Game was held here a couple of years ago. These are significant achievements for our city.
Honestly, whether someone was born into a wealth of financial resources, I don't believe it's the defining factor for success. Personally, individuals who inherit wealth can easily mismanage it, squandering the hard work of previous generations. While having money can be beneficial, its impact is contingent on responsible stewardship. On the other side, a lack of financial resources does not preclude success, as numerous examples demonstrate. While money can be helpful, its true value lies in the hands of those who can utilize it effectively. Otherwise, it can be more of a detriment than an advantage. What are the three primary ways your family and closest longtime friends have influenced your current life and future decisions regarding your chosen paths?
Rose: That's a thoughtful question. My early interest in the creative industry was significantly shaped by my mother, whom I lost at a young age due to the after-effects of 9/11, a detail often overlooked. While I can't definitively say what path she envisioned for me, my childhood was filled with experiences like beauty pageants, etiquette classes, and even modeling for Gap. Reflecting on this, I feel she was nurturing a budding entrepreneur. My mother was indeed my early "momager," always supportive of my aspirations. I fondly remember watching shows like Talent Search and expressing my desire to participate. Her response was never discouraging; instead, she'd ask, "You want to do it? Let's prepare." This encouragement was instrumental in opening my mind to the creative world. My father also played a pivotal role in the career paths along with my older brother (who now owns a production company). My dad was a DJ in Brooklyn, New York, a fact I'm not sure everyone knows. During a period of homelessness, DJing was his means of survival before starting a family. Although both my parents were creatively inclined, they came from a generation that prioritized traditional employment. They eventually put their creative pursuits aside and became stockbrokers as their nine-to-five careers. However, I believe that if they had the opportunity, they would have pursued their artistic passions fully. This understanding instilled a drive in my brother and me to embrace the creative industry, carrying the torch, in a sense.
My brother and I operate in similar spaces, perhaps a friendly sibling rivalry fueling us both. I genuinely believe that on a deeper level, our current pursuits echo the endeavors or aspirations of our ancestors. Whether it's a love for music or an artistic inclination, these traits may be inherent. My passion for event spaces and the act of bringing people together to host experiences feels like something my ancestors might have also engaged in. Furthermore, many of my closest, lifelong friends are individuals I've met within this industry—like-minded entrepreneurs all striving for their goals. While my upbringing in Bedford-Stuyvesant, Brooklyn, presented a different reality than some others from the same area, once I experienced different opportunities, I embraced them fully. In all my endeavors, I am mindful of my mother's dreams and aspirations.
Malcolm: I've learned the importance of patience and continuous learning, especially during challenging times. These insights, gained from family and friends, particularly during periods of grief and loss, have been invaluable. Furthermore, the support of those around me, including business relationships such as with Rose and DJ Money, underscores the necessity of patience, understanding, and a willingness to learn and adapt in each unique situation to foster growth.
WILD WORLD JAM
These are valuable lessons, particularly in our current environment where many expect immediate results. Both our generation and the younger generation often desire the end goal without acknowledging the necessary process. However, the reality is that consistent time and effort are crucial for achieving meaningful outcomes. Success rarely materializes within days, weeks, or even months; it often requires years of dedicated and diligent work, and even then, it's not always guaranteed. Furthermore, it's essential to learn how to pivot when an initial approach proves ineffective. Recognizing when a particular path isn't yielding results and adapting strategies is key to ultimately reaching one's goals. This involves avoiding the pursuit of a dead end while maintaining a clear vision of the desired outcome. As mentioned, patience is fundamental.
Building a strong network is equally vital. Leveraging the foundations laid by family and cultivating relationships within your community can create valuable opportunities. Exploring mutually beneficial collaborations, where individuals support each other's aspirations, is crucial for collective progress. Recognizing that no one operates in isolation and that reciprocal support is often necessary for advancement is essential, provided there is a genuine exchange of value.
Rose: I wholeheartedly agree with that sentiment. Community and togetherness are paramount. I firmly believe that achieving one's goals is rarely a solitary endeavor. While individual pursuits are valid, it's often the case that others are already engaged in similar work. Collaboration, particularly within our community, offers a significant advantage in navigating a competitive landscape.
What was the most significant turning point in your past lives that profoundly shaped your present self?
Rose: A significant turning point in my life, one that profoundly shaped who I am today, was undoubtedly the pandemic. Pre-pandemic, I felt professionally fulfilled after moving back to New York from the DMV and working with a prominent fashion agency. It was an experience reminiscent of "The Devil Wears Prada," and I believed I was at a peak in my life until the widespread shutdowns began. The pandemic brought my career and aspirations to an abrupt halt, leaving me feeling directionless. However, this period of forced pause and loss ultimately fostered greater self-awareness. Without the distractions of my career and external validation, I had the opportunity for introspection. I realized the importance of understanding my identity beyond professional titles and social media personas. Pre-pandemic, I recognize now that I was somewhat aimless. This period allowed me to strategically plan and analyze my path. While those plans didn't always unfold perfectly, I was compelled to confront unfinished aspects of my life.
At the time, I had left college, confident in my burgeoning fashion career. I felt like I had it all figured out. The pandemic served as a stark wake-up call. I recognized the necessity of completing my education, a path I had previously dismissed. Returning to school was a humbling experience, as I realized the value of something I had once deemed unnecessary, especially when other opportunities had vanished. The pivotal moment was enrolling in that semester, which, through perseverance, led to my proudest achievement: graduating this year as a first-generation college graduate. This experience was a profound turning point, positively reshaping my perspective. It taught me the invaluable lesson that I don't possess all the answers or control, and that embracing the role of a lifelong learner is not only acceptable but essential.
That’s incredible Rose, I did not know that about you.
Rose: As a private individual, I've intentionally kept much of my personal life out of the public eye. What is known is my name, Rose, and a general perception of my creative endeavors. My work speaks for itself. Recently, I embarked on a significant undertaking, driven by personal growth rather than external validation or a desire to inspire. It was a necessary step for my own development, a way to address certain aspects of my professional approach. Entering this industry requires a constant willingness to learn and acknowledge that prior experience doesn't equate to complete knowledge. This endeavor was a personal challenge, a deliberate effort to identify any gaps in my understanding and refine my skills to excel upon my return. While my formal education provided a foundation for my previous work, I felt it crucial to re-engage with a student's mindset, absorbing new perspectives and ensuring I'm operating at my highest potential.
It's admirable that you approached your education with a clear plan and persevered until you achieved your goal. Ultimately, whatever motivates an individual to keep striving toward their aspirations is admirable, and I have nothing but respect for that dedication.So, congratulations again. Same question to you Malcolm.
Malcolm: The pandemic undeniably brought significant shifts to many lives, mine included. As a DJ, the immediate shutdown of physical venues presented a unique challenge. However, this period also fostered new avenues, notably in live streaming and the digital planning of events – a landscape previously less central to DJ culture. We now observe the readily available platforms like TikTok and YouTube empowering individuals to establish themselves as DJs. This digital pathway to recognition, which was less prominent five to ten years ago, now offers a legitimate route for securing bookings and gigs. The emergence of global talents like Major League DJz from South Africa and Uncle Waffles underscores this shift. These artists have cultivated significant followings online, demonstrating the increasing interconnectedness of the global DJ scene and its influence on American culture.
Beyond DJing, the pandemic also afforded me opportunities within the television industry. I became involved in the entertainment company my father established shortly before his passing. This allowed me to gain experience as an executive producer for a TV show, work within a large sound stage environment, and develop a broader understanding of the entertainment business. Furthermore, I pursued further education, exploring aspects of the industry that I might not have otherwise prioritized. This period provided invaluable insights and a formal understanding of entertainment that I had not previously attained.
If you don't mind me asking, what was the TV show that you were a part of?
Malcolm: It's called Rock and Roll Rarities, it premiered on DirecTV.
You also mentioned the pandemic and the necessary pivot for DJs from in-person events to online platforms to sustain their livelihoods. Now that the pandemic's major restrictions have eased, what is your perspective on the opportunities within the online space for DJs? Do you find that there's still a significant audience for online performances, such as live streaming sets, or has the focus largely returned to in-person experiences? Alternatively, do you believe it's now a more integrated landscape with a blend of both online and in-person engagement?
Malcolm: Curated live-streaming sets, akin to intimate apartment sessions featuring DJs, are emerging as a contemporary alternative to traditional social scenes. These online experiences offer a unique connection, allowing listeners to integrate DJ sets into their daily routines, whether for cooking, working, or simply unwinding. This accessibility fosters a more sustained engagement with the DJ's artistry compared to the fleeting encounters in conventional club settings. While this shift presents new avenues for DJs to cultivate a global presence by strategically targeting demographics who appreciate at-home listening alongside occasional live events, it also introduces a nuanced dynamic for artists who have built their careers within the club circuit. The traditional path of frequent local gigs requires a similar dedication to self-promotion and audience cultivation, yet the digital landscape offers a different scale of reach. Ultimately, it's a multifaceted environment. DJs who strategically leverage the digital realm are currently demonstrating significant success by understanding and catering to the evolving preferences of their audience.
The evolution of DJ sets, particularly in the context of platforms like Boiler Room, is a fascinating topic. The shift in how DJs present their craft is evident, such as the intimate living room sets with a small group of friends creating a sense of virtual presence for the online audience. This format fosters a unique connection, allowing viewers to feel part of the experience despite the physical distance. Recently, I encountered a series – the name escapes me at the moment – featuring a DJ performing in a makeshift elevator. Individuals would enter, briefly interact and dance with the DJ, and then exit at different stops, creating a mobile and intimate performance space. This concept led me to discover a variety of similar series on YouTube. For instance, I came across a DJ named Anastasia who performed a set inside a dimly lit, closed dry cleaner.
This departure from the traditional Boiler Room setup, with its large crowds, or the massive scale of festival performances, was particularly striking. These alternative formats, exemplified by the living room sets and unconventional locations like the elevator and dry cleaner, offer a more intimate and curated experience. I find this trend incredibly promising and hope that more DJs and musicians will explore these innovative approaches. The appeal lies in witnessing performances in unexpected settings, reimagining the possibilities of where and how music can be experienced. The idea of a DJ setting up in a dry cleaner after hours, for example, feels inherently creative and engaging.
Malcolm: This is a genuinely compelling concept, effectively establishing a distinct aesthetic within each environment. For an instance like this, one might naturally assume this selection serves as a 'laundry playlist,' aligning the auditory experience with the setting. The intention here is clear, given the laundromat context. It evokes a strategic pairing reminiscent of 'Garanimals'-style thinking, where the presentation of one item (piece B) encourages the purchase of another (piece A). However, the overall approach is sophisticated and meticulously curated, almost representing a contemporary form of MTV. In an era of on-demand content, a dedicated space for a thoughtfully sequenced collection of music videos no longer exists. This initiative allows DJs to curate and define trends, determining the most suitable sonic landscape for specific environments.
Beyond your own experiences and past achievements, who are the key sources of inspiration that drive you to continually reach new heights, Rose?
Rose: My primary source of inspiration for reaching new heights is my faith. Without it, external opinions and the pace of progress could easily lead to discouragement, making me question the purpose of my endeavors. Therefore, I attribute my strength, courage, and the continuous flow of new ideas to my faith, trusting in myself as I believe God trusts in me. My second inspiration is undoubtedly my mother. Her life exemplified ambition and courage, breaking barriers as a Caribbean woman who immigrated to America with aspirations and dedicated everything to her daughter before her passing. I feel a profound responsibility to honor her legacy daily, representing her and our community, and to emulate the impactful presence she established in Brooklyn, despite not being a native. This is a standard I aim to uphold consistently in the DMV. My third inspiration comes from my dedicated team, Malcolm and D.J. Money. Their unwavering commitment to transcend the traditional role of DJs and their openness to exploring diverse business ventures is truly inspiring. They foster an environment where fellow creatives are celebrated and can collaborate, which motivates me daily. These individuals are my core inspirations as I move forward.
How about you, Malcolm?
Malcolm: Beyond my immediate family, including those previously mentioned, I am also deeply grateful for the extensive support of my extended family. My aunts and uncles have made significant contributions, and my mother's influence has been invaluable. Furthermore, my enduring professional relationships and friendships serve as a constant source of motivation, perhaps more so than any other factor. I strive to maintain a level of excellence in my work to ensure these valued partners and collaborators continue to engage with me.
What are your end goals for both your shared and individual endeavors?
Rose: For shared endeavors, our focus remains on leveraging our platform to cultivate a thriving community for creatives. We aim to provide a space where individuals can connect with like-minded peers and find genuine enjoyment, but more importantly, where these connections can positively influence their personal pursuits and passions. Regarding individual goals, I aspire to build a family and leave a legacy that inspires them. I hope they see my journey as a testament to the idea that despite obstacles and societal expectations, anything is achievable. My aim is for them to view my experiences as an inspiration, fostering a generational mindset of perseverance and the pursuit of their own passions, much like the foundation laid by my own family.
Malcolm: That's the simplest thing, like balance in terms of all the things that me as a DJ that I've discussed with other DJs, you know what I'm saying? The complaints that we have or the critiques that we have of nightlife. A lot of stuff is getting better. Let's start there and not be negative, but the ultimate peace within the chaos of us trying to continue to build that perfect community or trying to continue to build that perfect party. That's the short term and long term goals. I think that we're all trying to achieve for myself in the vision of this piece, but I think ultimately us as a group, that's also where we're trying to get to.
ADVERTISEMENT
Speaking of peace, can you elaborate on what peace means to you in this space?
Malcolm: Finding complete peace in these environments can feel elusive. The moment any criticism or dissenting opinions arise, the harmony seems to dissipate. For instance, complaints about technical aspects like lighting, sound, or the DJ can surface without awareness of the extensive efforts behind the scenes to ensure even basic elements, such as playing a song, function smoothly for everyone's enjoyment. This underlying chaos and the work to maintain equilibrium can, in a way, represent a personal sense of peace. There's a certain humor that arise in the DJ booth when facing technical difficulties that remains elusive to the dancing crowd having a good time – and ultimately, that's what matters most. While I have insight into this full cycle of event production, that perspective isn't always apparent to others. The lack of peace I refer to stems from the constant complaints and negativity. While constructive critique has its place, not every detail warrants constant scrutiny. Sometimes, simply allowing people to enjoy themselves without unnecessary commentary is preferable. Ultimately, and without being redundant, peace in these spaces is about the convergence of various elements in a secure and positive setting.
It would be great if people knew how much work goes into putting on these events. Like, it's not just one person, it's an entire team trying to make it enjoyable for everyone. Instead of just pointing out every little thing that's not perfect, maybe just realize it's a big deal to even make events like the one’s you guy put on happen. We're all human, mistakes will be made,, but if you had a good time and want to come back, then you did your job.
Malcolm: To expand on that, while performer and DJ perspectives are valid, it's crucial to acknowledge the audience's viewpoint. Attendees, particularly those celebrating significant events, should not be burdened with technical difficulties. They've entrusted the performer with their special occasion, and it's imperative to maintain a professional standard. Troubleshooting should be conducted discreetly, ensuring minimal disruption to the audience's enjoyment. A degree of 'theatricality' is required from both sides to cultivate a harmonious atmosphere. Constructive feedback and lighthearted comments are acceptable, provided they originate from a place of goodwill.
My final question is: what is the greatest fear you have for your future self, a fear so significant that, if possible, you would travel back in time to alter it?
Rose: At this stage, I operate with faith, not fear. Many might be deterred by the potential for failure, but I view each setback as a learning opportunity and a chance for reconstruction. In fact, I embrace the underdog role, relishing the challenge of building something others deem impossible. I face no fear in my endeavors. My sole concern lies with the possibility of future generations failing to appreciate community and unity as we do. Furthermore, and without intending to be political or racially divisive, I worry about the potential decline of creative event spaces in the current sociopolitical climate. However, I remain optimistic. To preserve these vital outlets for expression, we must collectively champion them, ensuring they remain accessible beyond societal constructs. Therefore, I approach this venture with fearlessness, fueled by hope and faith that we will maintain our platforms and inspire others to do the same.
Yes. The creative space thrives on its community. Collaboration and support are essential; without them, the community risks stagnation. While I remain optimistic about its long-term survival, it's possible we'll see a period of decline before resurgence, a natural cycle. It's crucial to acknowledge our debt to those who paved the way and recognize our present responsibility. What we invest in the community, we ultimately receive. Negative input yields negative results. Conversely, fostering positivity and mutual support strengthens the entire creative ecosystem. By prioritizing collaborative growth, we ensure the community's continued vitality.
Rose: As Rita Marley wisely stated, "When you swim in pollution, you become polluted." In this context, oppression is the primary threat to creative spaces. Should such oppression arise, we, as a community, must resist it. However, while we retain the ability to effect change within our current spaces, our focus should be on maximizing that impact. If we are forcibly removed from these environments where creative expression and meaningful events are possible, then resistance becomes necessary. That is a discussion for another time. For now, our commitment is to continued progress. We will leverage the platforms we are building, with the support of our communities, to push forward and achieve our goals. In closing, our history demonstrates an undeniable resilience. We consistently overcome adversity, regardless of its magnitude. I extend my sincere appreciation to both of you for participating in this interview. Your time and insights are invaluable. This has been a truly enriching conversation.
Rose: Thank you, Foli, for this opportunity and your consideration in sharing our stories on your platform.
Alright, Till next time.
Foli Creppy
Style Editor, Frasspot
Foli Creppy is the style editor for Frasspot. He oversees fashion and lifestyle content across Frasspot and has contributed as a style editor since December 2022.
Apr 30, 2025
More in Journal
